Memories of Marc Davis
Page 5 of 8
(Disney Images Copyright the Walt Disney Company or
LaughingPlace.com.
Collage created by and copyright LaughingPlace.com)
On joining the Walt Disney Company
"I joined Walt Disney, went to work, December 2nd 1935, so obviously, I'm not too
young! In the early days, Walt Disney knew that he wanted to do feature-length animated
films, but nobody outside of his organization knew this. So he advertised practically
around the world I guess, in classifieds; little ads. 'Walt Disney wants artists.' At that
time, the people that were in the animated film business were mostly guys who were
unsuccessful newspaper cartoonists. In other words, their ability to draw living things
was practically nil. And he knew to do what he wanted to get done, he needed something
else; another kind of person"
"Well, I answered one of these ads, and I was in Marysville, California. ... Anyway, I answered one of these ads, and my name, M-a-r-c, must have been mistaken by a man by the name of George Drake, who was doing the hiring and so forth, as being, I don't know, Marge or whatever the he thought it was. But anyway, I received this ltter, and it read, 'Dear Ms. Davis, at the present time, we're not hiring any women artists, but as such time as we do, we'll let you know...'
"Later, my father died up in Marysville. So, my mother
and I got in the car and came down to Hollywood. I had some connections from the
newspapers that I did work with up there, so there was a newspaper publisher in Hollywood,
and they promised me work and so on. Finally, one of them said, 'Look, why don't you go
see Walt Disney? They're hiring artists.' So I did, and the same guy who wrote this Dear
Ms. Davis letter hired me on the spot."
- Theme Park
Adventure Magazine, Pirates of the Caribbean Issue, pg. 84
On the the hard work in the studio's early days
"It wasn't that you had to do these things, you wanted to do them.
You were so proud. Every write-up the studio got, everybody went out and got it. Very few
people have ever, as a group, experienced that type of excitement. What we were in on,
really, was the invention of animation. Animation had been done before, but stories were
never told."
- The Illusion of Life: Disney Animation, by Ollie Johnston and
Frank Thomas, pg. 146
On drawing
"Drawing is giving a performance; an artist is an actor who is not limited by
the body, only by his ability and, perhaps, experience."
- The Illusion of Life: Disney Animation, by Ollie Johnston and
Frank Thomas, pg. 66
On Maleficient
"She was rather dull - she was a speechmaker and any character who has to stand up in
front of the camera and make speeches is not very good. Maleficient was better when she
batted a few of her goons around - and when she worked with the raven, she was probably
all right"
- The Disney Villain, by Ollie Johnston and Frank Thomas, pg.
120
On being a storyteller
"To be an animator, you have to have a sense of the dramatic, a feeling for acting;
you have to be a storyteller"
- The Illusion of Life: Disney Animation, by Ollie Johnston and
Frank Thomas, pg. 176
On early Pirates sketches
"Some of these sketches were done at the very beginning of the Pirates project, when
I was trying to find a direction for myself. That was the early sixties ... maybe 61 or
62. Walt had mentioned to me, 'Marc, I'd like to do some kind of a pirate attraction at
the Park.' ... Before the [1964 World's] Fair, we knew there would be a New Orleans
Square, and we knew we'd have some kind of ride underneath it, but I think Walt was still
trying to find ways to go ... These roughs show how I was trying to 'find a way.'"
- The
"E" Ticket Magazine, Issue #32, pg. 7
Alice recounting a Walt Story about Marc
"First of all, [Walt] loved Marc's pirate drawings so much, that he wanted a book
made, and he had that book made of Marc's pirate drawings to go along with the show. They
had an open house, and he insisted that they have a whole wall of nothing but Marc's
pirate drawings for everybody to see. So, Marc and I arrived, and we were standing talking
with some people and Walt came over to me, and he said, 'Alice, come here. I want to show
you something. Have you looked at these?' I said 'Yes! I look at them every day! I'm
making the costumes'. And he said, 'No, for Heaven's sake! I don't mean that! Have you
really looked at these drawings? These are the works of a genius. Marc can do
anything I ask. He can do story, he can develop characters, he can animate, he can design
these rides. I have a whole building over there filled with animators, and that's all they
can do. They can't do anything else. Marc can do anything. He's my renaissance man! He can
do anything I ask, and it always turns out great."
- Theme Park
Adventure Magazine, Pirates of the Caribbean Issue, pg. 93