Disneyland's Haunted Mansion Event - Part II
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This is the second part of a two part article covering Disneyland's Haunted Mansion 30th anniversary event. It picks up right where Part I left off. Click here to read Part I.
Turning to the gentlemen seated two seats to his left, ODay says, Well, Rolly lets talk to you a little. As the Haunted Mansion was being developed and designed you were working on another project, The House of Illusion/Museum of the Weird. Rolly replies, Well thats another story. Tim requests, Tell us a little about it." Well maybe I should tell you this," Rolly responds, I started working with Yale Gracey in 1959 on all the illusions. Yale was a genius and all I did basically was just sort of build the boxes for him and help him build the illusions. And actually I was there the day he came up with the head in the ball which was incredible! Everything he did, well he just kind of screwed around with the stuff. And he went and got a projector of Hans Conreids face in Mirror, Mirror On the Wall from one of the television shows. And he took this projector and played it around the room and he was showing it on everything Well I left for lunch and when I came back he had lined it up with a bust of Beethoven. So what happened was he projected Hans Conreids face on the bust of Beethoven. Of course nothing was in sync. The little face looked like it was alive but the result was incredible. And we showed it to Walt. Of course Walt fell in love with it and basically it became Leota in the ball. We just showed him what was involved. But working with Yale was such a hoot. "
Disneyland Tencennial Video from the Wonderful World of Color TV Show. Walt Disney is taking the Tencennial Ambassador on a behind the scenes look at the Haunted Mansion's development. Marc Davis illustrates the changing portraits, stretching portraits. Walt forgets the name of this new attraction several times during the segment. Rolly Crump shows off ideas from the Museum of the Weird. The segment ends with demonstrations of the ghost at the organ and ghosts entering the ballroom. |
Rolly continues, "